This past week I have spent a good deal of time editing the work from my trip to North Dakota and Minnesota and have enjoyed reviewing landscapes that, at the time of their capture, I was involved in a short "oh, wow" moment and then absorbed by the business of getting the image into the camera. Of course, after that, there is a certain amount of mental interview that occurs in which I ask myself whether or not I remembered to set this dial, change this setting and view the outside edges of the camera viewfinder. Most of this work is engraved in my brain, so it happens automatically as I'm setting up for a shot, but sometimes I do find that a miscalculation has managed to enter my system of "confrontation" with a landscape. In the above case, the storm cloud near Cavalier, North Dakota, I saw this as a black and white image from the outset. Even though I saw the situation in color, I knew that it would make a great black and white shot and be more powerful for the change.
The exciting thing about photography, whether a person is using a wet darkroom or a computer as their editing medium, is when your initial thoughts (pre-visualization) are realized in the final print. In my case, even after having sloshed my way through countless darkroom trays of developer or endless keyboard work at the computer, I still stand in amazement when something comes out dead on to my initial visual plan. The more work that I do, the more time I spend in the field, I'm finding that positive results are becoming more frequent, yet still as exciting as the first print that I raised out of the fixer solution in the darkroom. Whether color or black and white, seeing a concept form from a natural experience is still exhilarating and rewarding. In the case of any of my images my hope is that I can relate the power or awe of a visual situation to the viewer and involve them in the environmental process that I was witnessing. Of course not everyone is going to find the same visual stimulation of a "live" situation that I did, but hopefully I can get them close.
While I'm not sure that I really did justice to my time at the headwaters of the Mississippi River, I was happy to get this very unexpected image of a water lily that was nearby. If I had not trekked into the woods and around a few bends I wouldn't have found this little gem waiting for me in the rain. I wasn't even thinking of water lilies at the time and I'm sure that most people that see this image will think it was taken in some garden. I wasn't even expecting the little beauty to be around the next turn. As luck would have it I needed several shots to achieve this final because of the wind jostling the reeds and changing the location of the lily. Thank heavens for a little curiosity and a dab of luck!
The education process continues, no matter if its the people one meets along the way or the road less traveled one may take, there always seems to be a reason for these chance encounters and course corrections. The secret is to follow the current rather than fight it, to yield to the subtle mental compass that is guiding or stimulating you to take a peek around the next corner. This is the same driving impetus that led Lewis and Clark to the expansive views of the west or Powell to put that flimsy boat in the rushing Colorado River.
Go ahead and explore...look around the next bend...you know you want to!
Thanks for stopping buy and joining my journey.
For more views of my work visit:
"A Piece Of Work", Spirit Lake, Iowa
Art Of The Vine Gallery http://www.artofthevinegallery.com
"Art On 16th, Spirit Lake, Iowa
Artisans Road Trip www.artisansroadtrip.com
"CR Gallery", Milford, Iowa
http://www.betterphoto.com/Premium/Default.aspx?id=251674&mp=V1
The Cornucopia Art Center, Lanesboro, Minnesota